【作者】 張總

【Author】 ZHANG Zong;Institute of World Religions,Chinese Academy of Social Science;Art Department,Nanhai Buddhism Academy;

【機構】 南海佛學院藝術系中國社會科學院世界宗教研究所

【摘要】 敦煌壁畫中法華經變雖多,然就此題材之表達卻相當少,且時代晚在五代;而晉冀魯豫地區之石窟碑像與題銘中大通智勝佛與十六王子事題材可達十余處,跨度從北魏至隋。此題材雖置于《化城喻品》中,但意涵關涉《法華經》基本精神,因而值得重視。

【Abstract】 There are many Lotus sutra illustrations in Dunhuang murals but depictions of Mahabhijna-Jnanabhibhu Buddha and the Sixteen Princes are fairly rare and appeared only very late in the era of the Five Dynasties. However, there are more than ten illustrations of this subject in the cave images, steles, and inscriptions of Shanxi, Hebei, Shandong, and He’nan that appeared over the period from the Northern Wei to the Sui dynasty. Though this scene was originally from the smaller "Parable of the Magic City," because the basic spirit of the Lotus Sutra can be detected within the motif it is considered as requiring more detailed attention.

  • 【分類號】K879.2
  • 【下載頻次】161
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